izotope vocalsynth 2 use in live automode

Upon start-up, a pared back version of OVox is loaded, providing primary features only. But let’s get down to basics and take a tour of the interface to see how this magic happens. As we’ll see, these are so extensive that the range of sounds which can be produced is staggering.

It can detect and track pitch directly, or you can feed external input sources to super-impose other notes on OVox’s parameters.

It does this by tracking the sound onto which the plug-in is inserted, with the detected input signal then acting as a modulation source for OVox’s synthesis capabilities. In real terms, this means that it provides an array of techniques to process existing vocal lines (such as tuning, auto-tune style) alongside others which use synthesis techniques to artificially add new voices around the source material, to harmonise and layer new parts on top. UltravoxĪt its heart, OVox is a ‘Vocal Processor and Synthesising Suite’ according to its manual.

However, as we’ll see, its capabilities go far beyond vocal processing, opening its parameters beyond the merely voice-based. Waves OVox – as its name suggests – is a new plug-in whose purpose is to provide a whole tool-kit of techniques and tricks to turn your vocals into something truly extraordinary. And indeed, consider auto-tuning, first finding spectacular success in its most extreme form with Cher’s Believe and then drifting in and out of fashion in the years since.Īs always, the records which have managed to capture the zeitgeist are the ones which have wilfully avoided the ‘intended’ purpose of the available technology to squeeze it, push it beyond its boundaries, apply it to the ‘wrong’ sounds, or use other techniques to tease out results the world has never heard before. Think about Vocoding, whether you first encountered that on classic records such as ELO’s Mister Blue Sky from 1977, the weirdly wonderful warped and portamento’d Intergalactic by the Beastie Boys from 1998 or Jacob Collier’s extraordinary Time Alone With You from late last year, to pick three of many examples from the past 40-odd years. And for as long as recording technology has afforded the opportunity, what this in turn has meant is that creative producers and performers have looked for ever-more-elaborate ways to use hardware and software to make their vocal parts stand out. Whether your song is a simple piece for vocal plus piano or guitar, or a multi-track behemoth for rock and roll band, full orchestra and electronic layers aplenty, the vocal line is the element you’ll be humming in the shower tomorrow morning. As the human voice is the most immediate, primal and readily available musical instrument, it’s no surprise that it’s almost always the focal point of any non-instrumental track.

Izotope vocalsynth 2 use in live automode